Atalanta and Hippomenes

The two figures capture the thrilling race for Atalanta’s hand in marriage. Hippomenes' arm is drawn back, poised to throw the golden apple, while Atalanta firmly grips a dagger, symbolizing her determination and independence. Losing to her comes at the ultimate price—one’s life. The garments are intricately crafted, with realistic proportions and anatomy, and the movement and energy of the moment are masterfully captured. This striking depiction of the legend captivates the viewer with its beauty, dynamism, and emotional intensity. The gilding of the headband and the three apples further enhances the storytelling.

This pair of antique garden statues in cast iron was created in the 19th century. The original marble statues, sculpted by Lepautre and Coustou Père under commission from King Louis XIV, were designed to adorn the Château de Marly. Today, these masterpieces reside in the Louvre Museum in Paris.

Atalanta and Hippomenes are figures from Greek mythology. According to legend, Atalanta vowed to marry only the man who could outrun her in a race. Hippomenes, knowing he stood no chance against her speed, prayed to Aphrodite, who granted him three golden apples. During the race, he strategically dropped the apples in Atalanta’s path. Unable to resist their allure, she paused to pick them up, slowing her pace just enough for Hippomenes to claim victory—and her hand.